000			02195nam a22003257i 4500
005			20251030135907.0
007			t|
008			230516s2016 ||||| |||| 00| 0 spa d
020			_a9784924971417
040			_aCO-ViULL _erda _bspa
041			_heng
082	0		_223 _a759.952 _bI31
100	1		_aImahashi, Riko _9160960, _eautor. _4aut
245	1	0	_aThe Akita Ranga School and the cultural context in Edo Japan.
264		1	_aJapan : _bInternational House of Japan, Inc, _c2016.
300			_a434 páginas.
336			_atexto _btxt _2rdacontent
337			_asin mediación _bn _2rdamedia
338			_avolumen _bnc _2rdacarrier
500			_aIncluye tabla de contenido.
505	8		_aReading shinobazu pond. -- Before the discovery of shinobazu pond. -- Topos and image/ shinobazu pond. -- Shinobazu pond as a topos. -- The beauty by the edge of the pond. -- Visual framing devices/the circular window. -- The framing window and borrowed scenery: the literati window. . -- An unrecognized avant-Gardism.
520			_aThe masterpiece of the Akita Ranga school, and the focus of this book, is Shinobazu Pond by Odano Natake. In this one work of art, which seems on the surface to be a tranquil landscape painting, are hidden allusions to portraits of beauties in Chinese art and literature, to legends about Shinobazu Pond in Japan and West Lake in China, and to contemporary Edo popular culture. Drawing on a quarter of a century of close study of Edo-period art and culture, Imahashi provides, in this major work of scholarhip, valuable context to the oeuvre of a group struggling to reconcile the art and thought of East and West a century before the 'opening' of Japan in the Meiji period, as well as insight into the thinking of Naotake, whose tragically short career was ended by his death in 1780, at the age of thirty.
534			_bAkita Ranga no kindai: Odano Naotake "Shinobazu no ike-zu o yomu (Tokyo : University of Tokyo Press, 2009)
650		0	_aPintura _zJaponés _9160961.
650		0	_aRetratos de bellezas _9160962.
650		0	_aLeyenda _zShinobazu-Japón _9160963.
650		0	_aArte y cultura _9160964.
700	1		_aMcCreery, Ruth S. _9160965.
942			_2ddc _cBK
999			_c47506 _d47506